Booking Late Licence: What to Expect from the House Set
How a Late Licence set is built, what it sounds like on the night and the simple way to enquire about a booking for your club, festival or private event.
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Notes from the booth and the studio for house DJs and house music lovers. Practical craft, no filler.
How a Late Licence set is built, what it sounds like on the night and the simple way to enquire about a booking for your club, festival or private event.
Read the postLate Licence is a UK house DJ and producer named after the licence that keeps a club open past midnight. This is the short version of what the project is and where the music lives.
Read the postStreaming trained everyone to accept compressed audio. On a big system, the difference between an MP3 and a high-resolution WAV is one you can feel. Here is why, in plain terms.
Read the postMixing and mastering are two different jobs, and knowing which one your track needs saves you money and gets you a better result. Here is how to tell them apart for house music.
Read the postA late licence is the permission that lets a UK venue keep going into the early hours. It is also the reason the best nights happen at all. Here is the story behind the term, and behind the name.
Read the postAnyone can play the charts. A set that feels current comes from digging habits and sources most people ignore. Here is where fresh underground house actually comes from.
Read the postTempo is the quiet decision behind every house set. Here is what the 122 to 128 BPM range does to a room and how to move through it without jarring the floor.
Read the postA radio edit is built to grab a listener in seconds. An extended DJ edit is built for the booth. The difference is all in the intro and the outro.
Read the postPeak time is not about playing the biggest record you own. It is about shape. Here is how to build a house set that lifts a room and keeps it there.
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